An Old Review of a Renegade Sufi Concert.
Tag Archives: Dawoud
Goodnight Sweet Prince
The following is an article I wrote the day Prince died. The original will be found here.
#prince
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There was almost nothing that could have prepared us for the news, when, on Thursday, April 21st, 2016, the news of the death of Prince was announced. At a time when he was riding the wave of yet another rise of success, suddenly it all ended.
Prince was one of those unique artists who defined himself and did his thing by his own standards. Standing on the artistic shoulders of giants like James Brown, Parliament Funkadelic, Jimi Hendrix, Michael Jackson, and others, he funneled these influences into his own blend, reshaping it in a form of his own choosing.
Never one to shun controversy (even writing a song calledControversy), he rose to fame in the 80s on a wave of funky dance beats, histrionic vocals, unapologetic theatrics, and sexual androgyny, he shook up the world of popular music. For years he was at the top of all games. His albums and movies were selling like hot cakes, his concert tours sold out. Until the day he died, he proved himself to be a master performer, songwriter, multi instrumentalist, singer, and producer.
Then, he severed ties with his record company Warner Brothers. Changing his name to The Artist Formerly Known As Prince, and adopting a symbol of his own design as a trademark, he essentially went to war with the whole music industry. And won. It is an important point that he was a pioneering music activist. His approach to business was just as innovative and iconoclastic as his music, and in pursuing this path, he proved that the corporate entities that seek the ruin of the artist are not as powerful and insurmountable as they would have us believe. Prince always called out the music industry on its corruption, and advocated for musicians rights.
For years, he released his music independently: a pioneer of the DIY ethic. And while the output during this time never abandoned his funk, R&B roots, he took it into directions others would have had difficulty doing. Few people are aware that Prince had a working knowledge of jazz; but it is to be found in his music, for those who can hear it. He was never one to allow himself to be confined to any one definition as an artist.
In recent years, his fame began to rise once more, his audience expanding into a new generation. Like his glory days in the 80s and 90s, he would effortlessly stride from one triumph to another. Yet, here was a more refined Prince; still flamboyant and controversial, but this time older, wiser, tempered by a political, social, and spiritual consciousness his early work only hinted at, yet drove toward with an inexorable force. The promise of more brilliance to come was clearly to be seen.
And suddenly, he was called home.
I must confess that the news of his death not only shocked me, but left me with a profound sadness. I know I am not alone in this; most of you who are reading this felt the same. In any society, the artist exists to articulate what most people cannot, to give voice to our own life, to put a name on our feelings and inner spirit, and to exalt and ennoble the very human urge to stand up and cry I Exist! Prince knew this was his job. He did his job, and did it well.
Rest in Power, Prince. We shall meet on the other side.
The God’s Unruly Friends / Tribacastan Gig
The performance of God’s Unruly Friends and Tribecastan at St. Marks on the Bowery on Sunday, March 6th was EPIC!
OK; I probably shouldn’t be using words / catchphrases like “epic” or whatever. But it was a dman good concert.
It was a nice day. March often threatenes nasty weather, but not this day.
GUF opened the show. The line up was Dawoud (yours truly!) on sitar and laptop, Chenana Manno on vocals, dance, singing bowls, Ras Moshe on saxophone and flute, and Peter Barr on percussion. The band played beautifully. It was one of those performances where everything clicked, and the band and audience were in The Zone.
Tribecastan tore it up! They gave a tight and very enjoyable performance. Bandleader John Kruth held thongs together beautifully, and led the audience in the fun.
We are presently negotiating with St. Marks to secure another date for a performance. Details to follow.
Changes!
OK, I have an announcement.
God’s Unruly Friends has some new online presence. You can email us at godsunrulyfriends@gmail.com.
We have a new Twitter account!
https://twitter.com/GUF786
An we have a youtube channel! It’s new, so if you subscribe, we can get things off to a good start. Check out our last video:
https://www.youtube.com/watch?v=GErTWFgyspE
#godsunrulyfriends
#gmail
#youtube
Tickets for 3/6/16: Tribecastan and God’s Unruly Friends
Tickets for the March 6th Tribecastan / God’s Unruly Friends concert are available!
https://www.eventbrite.com/e/tribecastan-gods-unruly-friends-tickets-22239195031
You want to attend lovely Sunday afternoon concert of exotic instrumentals by two of New York’s most exciting Other World music ensembles!
God’s Unruly Friends is NYC’s leading Mystic Other World-Jazz Electronica ensembles. Featuring a ritualistic blend of transcendental music, dance, spoken word, and whatever else they can get away with, God’s Unruly Friends takes you on a unique and beautiful musical journey.
Radically multicultural and poly-stylistic, New York City’s TriBeCaStan is one of contemporary music’s most vibrantly eclectic ensembles. The New York Times describes TriBeCaStan’s sound as “genre-bending jazz and world-music.” The Village Voice said the band embodies “New York cool, explorer energy, and outer space vibes”.
This will happen Sunday, March 6th, at 3pm, at St. Mark’s On the Bowery (131 east 10th street, NYC). Admission is a mere $10.
godsunrulyfreinds.com
http://tribecastan.tv/
New Videos!
I Put Together A Few Videos.
Yes. For your viewing and listening pleasure, I compiled two new videos one is excerpts from live God’s Unruly Friends concerts, and the other is from the recent solo performance I did at Wow Theater NYC (opening for John Kruth).
Enjoy!
God’s Unruly Friends, BAM Cafe, and Paris.
Last night (11/13/15), God’s Unruly Friends played at Bam Cafe in Brooklyn. Permit me to shout out to Kaveh Haghtalab, Tom Chess, and Chenana Manno for performances above and beyond the call to duty!
However, the event coincided with the Paris attacks, and the vibe was, shall I say, heavy.
I recall a story. The night when Martin Luther King was killed, Jimi Hendrix was booked to play Newark NJ (of all places). They wanted to cancel the concert, but Hendrix said no; he would do the show. Everyone was scared of the possibility of race riots. Hendrix walked on stage, and said “This is for a friend of mine.” He then abandoned all his usual songs, and improvised a long blues ballad that was so moving even the theater stagehands and janitors were in tears. (Naturally, nobody recorded it).
As you know, I’m a Muslim. And as it stands, I and my people are pretty much all “on trial” for the events in Paris. Whoever did those horrible attacks in Paris (and all over the Middle East, for that matter) are NOT Muslims! I see absolutely no Islam in what they do, and refuse to acknowledge ANY connection between them and real Islam. They are NOT my brothers in religion.
To the people of Paris, my heart goes out to you. I’ve visited your beautiful city a number of times, and your people are wonderful. Stay strong, and know that there are a lot of people who are sending love your way.
I’m a musician, and in many ways, I count for very little in this world. I have to do what I can with what I have. God’s Unruly Friends’ performance last night was us using our music as an imposition of love and spiritual power upon a political upheaval to counteract the presence of evil, oppression, and destruction. I pray it did some good. I pray that my music brings something useful into a chaos of futility, and something beautiful into a world of ugliness.
Food for Thought
Recently, on Planet Dawoud
It’s been an interesting few weeks.
Last weekend I attended the Black Rock Coalition’s Jimi Hendrix Tribute concert; a two day event held on the 45th anniversary of Hendrix’ passing (and, during the month of the BRC’s 30th anniversary). The concert was great! And I had the opportunity to meet percussion master Juma Sultan (who, as you may know, was in Hendrix’ band).
Yesterday, the Brooklyn Raga Massive held a John Coltrane Tribute concert on the master’s 89th birthday. It was, in a word, epic. I had the honor of performing with them; I was a featured soloist on “India.” Performing with these astonishing musicians is a wonderful experience. The BRM is accomplishing some great things; the sense of community and unity in a musical vision is quite amazing.
Today is Eid ul Adha. I was very tired, because I’d had no sleep for a long time.
I’m preparing for the next God’s Unruly Friends gigs. We’re in the Bronx at the University of the Streets next month (October 11th). We have BAM in November, and I’m planning some things as far ahead as March.
Life is interesting!
The Perils of Musical Technology
I have a confession.
Well, not really a confession, but something I should share. A few days ago (as I write this) I was doing a Music Meditation at Namaste. About 15 or 20 minutes into it, one of my electronic devices I use in this and other musical applications died. Well, I had to think fast. I bypassed it, and continued.
The quality of the performance was not affected in any way. Frankly, I’d be a pitiful excuse for a musician if I let it be affected.
It reminded me of some years ago when I played at the Apollo in NYC. I was doing a solo sitar performance with laptop accompaniment. As the first of my allotted three songs ended, my laptop froze up. So, I improvised my way around it. Later, I mentioned this to a friend in the audience. She said she wasn’t aware that I was having technical problems. I siad “You weren’t meant to.”
If I use a single acoustic instrument, or an arsenal of instruments and electronic devices, it all exists to derve the same purpose. Each one is but a tool. You either use it, or not.
In the end, the music, and its effects in the hearts of the audience are all that matter. All else are details.